Water Presets by Kseniya Rain – Ocean, Beach & Underwater Tones
Water is hard to edit. Push the blues and people turn grey; hold back and the photo looks dull. Kseniya Rain built this five-preset pack to...
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Water is hard to edit. Push the blues and people turn grey; hold back and the photo looks dull. Kseniya Rain built this five-preset pack to...
Kseniya RainSoftness is the entire idea. Francesca Angrisano's POETICO speaks a tender colour language: diffused light, quiet palettes, mild contrast ch...
Legacy PresetMany photographers collect dozens of looks. Nina & Darek did the opposite, and that restraint is exactly why their wedding coverage feels un...
Legacy PresetPhotos from the air come with their own problems: flat noon light, pale skies and greens that look grey from high up. AAA Presets built this...
AAA PresetsJoao Guedes spent years refining one idea for this DVLOP collection: images that feel like pages from a private journal. The mood A soft cin...
DVLOPZalea is about the coast in bad weather: salty air, stormy light and a sea that can't decide between grey and blue. Archipelago shifted blue...
ArchipelagoThis pack grew out of time spent photographing Havana, and it bottles that Caribbean warmth into a grade you can apply in seconds. Tones are...
Plastic toy cameras never followed the rules, and Lomora doesn't either. Archipelago chased the Lomo look: lively, slightly unpredictable co...
ArchipelagoThis DVLOP release from Visual Flow is a training course rather than a preset pack. It teaches how to create deep, cinematic portraits where...
DVLOPLiam Rimmington made Wayfarer for photographers who work on the move, in natural light and changing weather. A wide colour range At one end,...
ArchipelagoArcade takes its cues from 1980s game cabinets rather than generic neon: lo-fi screen glow, muted depth, analog grain and faint CRT scanline...
ArchipelagoNearly twenty years of wedding photography taught Gabe McClintock restraint, and SONDER shows it. Colour Moody and cinematic. Highlights sta...
DVLOPRural weddings need a light touch: bright dresses that stay bright, skin that looks creamy rather than tanned and shadows deep enough for a...
Zach & GraceNot every landscape needs loud colour. Terrain turns saturation down to a murmur and leaves earthy hues, matte cinematic contrast and soft,...
Bright without going flat is the balance here. The Wanderful Wayfarer pairs clean, airy highlights with sultry depth in the shadows: warm li...
The Wanderful WayfarerInspire finds warmth without the orange cast. Whites remain clean, highlights pick up a gentle golden glow, and contrast is soft enough for...
Shortstache wanted people to understand colour, not just copy it. This DVLOP release pairs a short course with the tools to put it into prac...
DVLOPMitch Lally modelled Natura on Kodak 35mm. Footage gets a soft warmth while blues stay clean, greens earthy and faces gentle rather than ora...
Mitch LallyArchipelago is best known for photo presets, and Quest 01 carries that colour signature into video. The look Rich, slightly nostalgic warmth...
ArchipelagoRather than presets, Care4art offers a library of real weather and light. Every element was photographed instead of rendered, so it fades an...
Care4artRain flattens light and drains colour, and CVR Presets turned that into a style. These 15 looks use cool cinematic tones, muted midtones and...
CVR PresetsSun-faded beaches, gravel tracks and open windows on a long drive: Lawless Escape is tuned for the X100VI on a road trip. The colour Soft, w...
The FX3 and A7SIII record enormous range in S-Log3, but that range only pays off when the conversion to standard video is right. The camera'...
GamutBeaches and evening light are the heart of this We Are Memory Catchers set. Sea and foliage stay true rather than electric, bright areas sta...
We Are Memory Catchers