by Gamut
The FX3 and A7SIII record enormous range in S-Log3, but that range only pays off when the conversion to standard video is right. The camera's default LUT can throw detail away; these Gamut BaseLUTs give a neutral, predictable starting point with accurate colour, correct contrast and smooth highlight roll-off.
Apply one first, then grade on top. That approach keeps multi-camera and run-and-gun footage matching.
Ideal for brand and commercial work, weddings, documentaries, YouTube and travel. Works in Resolve, Premiere Pro, Final Cut Pro and any .cube editor.
Kodak 500T, the tungsten stock filmmakers use after dark, is the reference for Cineclipse+. Gamut built it for colourists who want analog ch...
Gamut
Filmmaker Brady Bessette and Gamut set out to recreate an old print rediscovered in a shoebox. Highlights turn warm and slightly hazy, shado...
Gamut
Stratus is a flexible colour base rather than a one-click effect. Gamut kept it cinematic without overstyling: coppery light, optionally coo...
Gamut
In wedding films, the grade is judged on faces. Emma K for Gamut handles them with care: a warm palette, highlights that glow instead of cli...
Gamut
Canon's own log conversions tend to give skin a pinkish lean and flatten the brights too early. Gamut's BaseLUTs fix the starting point inst...
Gamut
Sometimes a grade just needs a final polish, and Boost exists for that job. What it does Raises vibrance only where colour is lacking, leavi...
Gamut
Ether is Gamut's most dreamlike palette. Bright areas turn a glowing, almost misty cyan, the middle range cools toward blue, and the darkest...
Gamut
Imagine a roll of Portra shot on a grey afternoon. Cascade borrows that warm, nostalgic film feel: gentle shoulders on the brights, natural...
Gamut