Sun-faded beaches, gravel tracks and open windows on a long drive: Lawless Escape is tuned for the X100VI on a road trip.
Soft, warm film character, textured contrast and brights that never clip, with deep blues linking sea and sky. Golden shoreline palettes and earthy mountain tones sit alongside portrait versions that keep faces natural, and a few dark monochrome options for when colour isn't needed.
The Fuji character survives while the mood becomes cinematic. Good for travel journals, landscapes, beach shoots, lifestyle portraits and street photography with a vintage adventurous feel.
Four presets, four places in Washington. Henry Tieu pulled the colours of his first pack from the Pacific Northwest: subdued brights, warm e...
Henry Tieu
Rico Reinhold built his Original pack around a nostalgic film feel that stays dependable in very different weather, from bright sunshine to...
Rico Reinhold
High in the mountains, light behaves oddly: shadows turn icy blue next to a warm sun, snow switches between dull grey and dazzling white, an...
K1 Production
This is the most extensive set in Rebecca Lily's catalogue, adding up to well over a hundred and fifty files. Breakdown More than ninety col...
Rebecca Lily
Wedding days are usually covered by two people, one shooting stills and one filming, and couples later see both side by side. A shared palet...
Digital LUTs Collection
Maley used these looks in his own work for three years before releasing them. Colour Sunny and golden, balanced by a hint of blue in the dar...
Maley Presets
FilmicLab sampled genuine 35mm negatives and rebuilt their colour as LUT-based profiles, measured to an accuracy of 3.5 ΔE. There's no grain...
FilmicLab
Shortstache calls this his foundation kit: the two looks his whole style rests on, along with the reasoning behind them. The two looks One c...
DVLOP