by Archipelago
Zalea is about the coast in bad weather: salty air, stormy light and a sea that can't decide between grey and blue. Archipelago shifted blues toward a deep cobalt, softened greens into a pale sea-glass shade and grounded everything with earthy browns, so beaches, weathered wood and people look like they belong together.
The contrast is dark and filmic with a dreamy layer beneath it, and cloudy days suddenly look deliberate rather than dull.
Great for seaside sessions, elopements, outdoor portraits, travel stories and fine-art projects that embrace weather.
Driftwood imagines a long day by the sea that fades into a golden sunset. The colour Shadows take on warm, sandy reds and copper, while high...
Archipelago
Darkroom accidents and experiments, such as developing film in the wrong chemistry, skipping the bleach step or keeping extra silver in the...
Archipelago
LLΕΆR takes its name from a sea figure in Welsh mythology, and it's Archipelago's Quest for winter and the ocean. The palette Cool, icy tones...
Archipelago
Remember the hum of a projector and a sheet on the living-room wall? Quest 55 grades with that memory in mind. Bright tones turn peachy, the...
Archipelago
Plastic toy cameras never followed the rules, and Lomora doesn't either. Archipelago chased the Lomo look: lively, slightly unpredictable co...
Archipelago
Instead of forcing every photo toward a fixed style, Veralux works with the light already present in the scene. It is a true colour collecti...
Archipelago
Origin revisits the signature that made Archipelago popular, pulling ideas from several of its best-loved collections into one limited relea...
Archipelago
Del Mar borrows from the playful, symmetrical colour of quirky indie cinema: sugared pastels, nostalgic warmth and palettes that look carefu...
Archipelago