Many photographers collect dozens of looks. Nina & Darek did the opposite, and that restraint is exactly why their wedding coverage feels unified from the first detail shot to the final party picture.
Soft and filmic, warm in hue and low in contrast, with complexions kept clean and pink casts held back. It has the clarity people love in analog work without trying to imitate a scan.
Apply, correct temperature and brightness for the scene, then nudge hue and tone until faces look right. Designed for weddings, portraits and storytelling with RAW files in Lightroom Classic from 7.3 or Camera Raw from 10.3.
Nostalgia looks backward, to family albums and classic films, while relying on modern Lightroom features to get there. The palette Warm over...
Legacy Preset
Softness is the entire idea. Francesca Angrisano's POETICO speaks a tender colour language: diffused light, quiet palettes, mild contrast ch...
Legacy Preset
Zach & Grace designed this set for photographers who miss shooting film but work digitally. The character Bright areas turn soft and creamy,...
Zach & Grace
Early-2000s fashion spreads, gallery-wall colour and the fine grain of a scanned negative inspired Jonti's Aesthetics pack. Range Twenty-six...
Jonti
In Ombra the dark end of the histogram sets the mood. Archipelago cools the deepest tones to a hazy slate blue, leaves bright areas gentle a...
Archipelago
High in the mountains, light behaves oddly: shadows turn icy blue next to a warm sun, snow switches between dull grey and dazzling white, an...
K1 Production
Pack One is the moody sibling in Dawn Charles' range. Character Muted greens, creamy colour, deep shadows and gently crushed highlights. Ima...
Dawn Charles
Koda Film took a year of colour experiments, aiming to translate classic analog movie tones into a modern RAW workflow. The palette Warm hig...
K1 Production