by DVLOP
Shortstache wanted people to understand colour, not just copy it. This DVLOP release pairs a short course with the tools to put it into practice.
A step-by-step path from neutral correction to a finished look, easy to follow if you're new and still worthwhile if you've graded for years.
Five warm, understated film grades with mild contrast, cinematic darks and faces that hold up under mixed sources. Each targets a different kind of shoot, so ceremonies, lifestyle pieces and aerial clips all get a sensible base you can develop.
Compatible with the three big editors: Premiere, Resolve and Final Cut.
Film character without lab costs. Mike Crawat's 2023 pack builds a nostalgic analog palette into digital files: warm highlights, softer cont...
Mike Crawat
Raztrend dug deep into the history of Kodak monochrome film to build this archive. What it covers Famous stocks spanning roughly a century,...
Raztrend
Log recording keeps every bit of information but none of the colour you want to show. Gamut's Canon pack handles the tedious first step, map...
Gamut
Cinematographer Phil Holland designed PhilmColor around RED's IPP2 pipeline, and it's meant to be assembled, not just applied. The looks Gra...
PhilmColor
Colourist John Razalo built ClassicPrint around the look of Hong Kong cinema photographed on 35mm film. How it's made It's a PowerGrade work...
ClassicPrint
Mango Street Lab picked seven legendary film emulsions and built sixteen Lightroom looks around them. Separate versions for people and place...
Mango Street
Every LUT HungKai Chen has released is in this bundle, sorted by the picture profile you shoot in. Three folders Eleven for Sony S-Log Ten f...
HungKai Chen
This SparkleStock pack is all about contrast between gold and shadow: warm, honeyed light against deep, moody darks. Where it fits Portraits...
SparkleStock