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762 products · 225 artists
Moments sits at the quiet end of the colour spectrum: tidy, even tones, mild contrast and faces that never turn orange or waxy. Ambient ligh...
TKNORTH
Sony log clips look flat, and the manufacturer's conversion often tints them green or pink. Gamut's technical LUTs correct this at the first...
Gamut
Canon's own log conversions tend to give skin a pinkish lean and flatten the brights too early. Gamut's BaseLUTs fix the starting point inst...
Gamut
Sometimes a grade just needs a final polish, and Boost exists for that job. What it does Raises vibrance only where colour is lacking, leavi...
Gamut
Timbre has an earthy, bohemian warmth that stays steady from a woodland ceremony to a beach party to a dim indoor toast. Faces stay soft and...
Gamut
Eric Floberg named the five looks after Chicago neighbourhoods, and they share one rule: cinematic colour that never fights the scene. Avond...
Gamut
A wedding moves through many moods, and Dolce is designed to follow all of them without breaking continuity. Six moods 01 : clean and true t...
Gamut
Basecamp works differently from a typical preset pack. Instead of moving your sliders, it adds eight custom colour profiles to Lightroom and...
Archipelago
Nexus takes its vocabulary from contemporary cinema: measured contrast, moody tonal shifts and colour that makes one frame look like a still...
Archipelago
Veritas means truth, and the collection favours honesty over tricks: accurate faces, clean whites and a gently filmic curve. The mood arrive...
Archipelago
In Atelier the real subject is light. Rather than only grading colour, these presets mimic how studio modifiers behave, the soft falloff of...
Archipelago
Golden hour whenever you need it. Aureus pours warm amber light into a photo: honey-coloured highlights, strong tonal depth and a slightly f...
Archipelago
Expired film loves to spill orange across a frame, fog a corner or drop a magenta flare where nobody asked. Quest Tools 08 lets you place th...
Archipelago
Aesthete is a five-preset pack by Soki.Stef that spans bright daylight to low, moody light while keeping one consistent style: gentle contra...
Soki.Stef
Cool air, clear light and honest colour describe Glacier. Anni Graham's signature preset lifts the brights to an airy finish while keeping d...
Anni Graham
Archipelago based Light & Legacy on the way professional film labs scan negatives. Its six main looks give pale, pastel brights that taper o...
Archipelago
Plenty of grades shout. Roman Khlyustov's KF set whispers. The four looks come straight from his own film work, refined over years of shooti...
Roman Khlyustov
Tom Bolles built CinePrint16 for colourists who want digital images to behave like a projected print. The node tree passes footage through a...
Tom Bolles
Cinematographer Phil Holland designed PhilmColor around RED's IPP2 pipeline, and it's meant to be assembled, not just applied. The looks Gra...
PhilmColor
Triune Films traced each of these twenty-nine grades back to the colour of a particular film. The range is wide: the saturated warmth of a m...
Triune Digital
Shooting flat on a drone is easy; finishing it is the hard part. Griffin built Ground Control specifically for Mavic D-Log, and added Rec.70...
Griffin LUTs
How big is it? Over two hundred and twenty-five grades, enough to cover nearly any colour brief. What styles? Golden film looks that warm fa...
Footage from a drone in log mode is truthful but dull. Vamify's FLYCAM collection fixes that quickly: blue skies without a cyan tint, believ...
Vamify
Night-time city footage often looks best darker and richer, and Bounce Color's Urban Dark collection is made for exactly that. Ten standard-...
Bounce Color