Not every landscape needs loud colour. Terrain turns saturation down to a murmur and leaves earthy hues, matte cinematic contrast and soft, open shadows. Foliage relaxes into sage and moss, skies cool without going grey, and a slight analog fade adds depth. Texture, light and composition do the talking.
Every look also comes in a version that shields skin, so outdoor portraits keep natural complexions.
Runs in Lightroom on phone and desktop, Lightroom Classic and Camera Raw for stills, and in Premiere, Final Cut, Resolve and similar for video. A calm, believable palette for landscape, travel, nature and fine-art work, minimal feeds, prints and editorial layouts.
S1 was created side by side with K1 while Tom Kahler spent several months photographing Canada. Sibling, not twin Both share the same philos...
Tom Kahler
Think of a summer drive along the Italian coastline rather than a heavy film emulation. That's the spirit of Amalfi. The tone Soft and gentl...
Julia Trotti
Mountains began life as one of the favourite filters in Julia Trotti's Digital Film editing app. Here it arrives in Lightroom. Four variatio...
Julia Trotti
Deirdre & Jon make photographs that look like a film paused mid-scene: pure, emotional and nostalgic. This G-Presets collection brings that...
G-Presets
Chris Dunn reworked one of Archipelago's most loved series and called the result LXCR. Range of moods The looks span arid, sun-baked desert...
Archipelago
Monochrome punishes mistakes: skin turns chalky or shadows turn to sludge. Nikki Closser's presets avoid both, with open highlights, deep bu...
Nikki Closser
Liam Rimmington describes ExFilm with a curious comparison: a well-worn pair of cognac leather boots. Comfortable, classic and easy to live...
Archipelago
What is it? A set of 50 masking presets from Refined Co that use Lightroom's AI selection to target one area of a photo and correct it, with...
Refined Co