by Gamut
Fujifilm's F-Log2 is deliberately flat, and Gamut's conversions for the X100VI and X-T5 start right there.
They produce a clean, filmic picture: truthful complexions, contrast that builds gradually and brights that slide off smoothly. Crucially, the familiar Fuji restraint in the palette survives, while you keep the range and neutrality you need before any creative look goes on.
Hybrid photographers and filmmakers using these two cameras for documentary, travel, street, high-end weddings, lifestyle and editorial commissions. Cube files load in Resolve, Premiere, Final Cut and other LUT tools.
Immersion 2.0 is the follow-up Gamut created with filmmaker Sam Newton. It brings refined colour science and tighter control of highlights a...
Gamut
Log recording keeps every bit of information but none of the colour you want to show. Gamut's Canon pack handles the tedious first step, map...
Gamut
Filmmaker Brady Bessette and Gamut set out to recreate an old print rediscovered in a shoebox. Highlights turn warm and slightly hazy, shado...
Gamut
Flame Films found its palette for Marble in Mediterranean sunlight and old European stonework: warm, polished and quietly filmic. Five looks...
Gamut
Sony log clips look flat, and the manufacturer's conversion often tints them green or pink. Gamut's technical LUTs correct this at the first...
Gamut
Grass, hedges and trees are often the first things to look wrong in outdoor footage, glowing too brightly and pulling skin off with them. Ru...
Gamut
Lumix log footage is all potential and no polish. Gamut's kit supplies the polish: neutral whites, honest complexions and reds that behave....
Gamut
A wedding moves through many moods, and Dolce is designed to follow all of them without breaking continuity. Six moods 01 : clean and true t...
Gamut