by Gamut
Grass, hedges and trees are often the first things to look wrong in outdoor footage, glowing too brightly and pulling skin off with them. Russell Kent Nicholls designed Hestia for Gamut to tame them.
Foliage drops into a deep, dusty olive and quiets down, while people keep a gentle rosy warmth. The feel is natural and grounded, with filmic texture rather than an obvious effect.
Six files numbered 01 to 06 move from warmer to cooler, so a sunset ceremony and a damp woodland walk can both be matched quickly.
Made for wedding videos, lifestyle and documentary projects and portraits filmed outside.
Imagine a roll of Portra shot on a grey afternoon. Cascade borrows that warm, nostalgic film feel: gentle shoulders on the brights, natural...
Gamut
Canon's own log conversions tend to give skin a pinkish lean and flatten the brights too early. Gamut's BaseLUTs fix the starting point inst...
Gamut
Pocket cameras record Blackmagic's Gen5 Film curve, and the path from there to a viewable image shapes every later decision. Gamut built the...
Gamut
Log recording keeps every bit of information but none of the colour you want to show. Gamut's Canon pack handles the tedious first step, map...
Gamut
In wedding films, the grade is judged on faces. Emma K for Gamut handles them with care: a warm palette, highlights that glow instead of cli...
Gamut
Imagine Fuji 400H shot a stop over: glowing whites, blush-pink highlights and greens that stay lively. White In Revery built Adagio for Gamu...
Gamut
Nobody gets excited about colour conversion, but get it wrong and the footage suffers. Gamut's BaseLUTs for the OM-1 Mark II handle that ste...
Gamut
Timbre has an earthy, bohemian warmth that stays steady from a woodland ceremony to a beach party to a dim indoor toast. Faces stay soft and...
Gamut