by Gamut
Filmmaker Brady Bessette and Gamut set out to recreate an old print rediscovered in a shoebox. Highlights turn warm and slightly hazy, shadows stay soft, and light grain with a touch of blur stops digital footage from feeling clinical.
It reads less like correction and more like recollection: atmospheric, nostalgic and quietly emotional.
Solaris, Apricity, Petrichor, Elysian, Liminal and a sixth companion grade, all supplied as professional .cube files.
When a clip is technically fine but emotionally flat. Wedding films, travel pieces, narrative shorts and lifestyle content gain organic texture and lasting film character. Works in Premiere Pro, DaVinci Resolve and Final Cut.
Nobody gets excited about colour conversion, but get it wrong and the footage suffers. Gamut's BaseLUTs for the OM-1 Mark II handle that ste...
Gamut
Lumix full-frame bodies record V-Log flat on purpose. Gamut's base set is the translation layer that turns it into a clean, cinematic Rec709...
Gamut
Created with How To Film Weddings, Luxe is meant for footage that should look expensive without shouting: vineyard ceremonies, seaside recep...
Gamut
Sony log clips look flat, and the manufacturer's conversion often tints them green or pink. Gamut's technical LUTs correct this at the first...
Gamut
Sony's log mode looks washed out on purpose, and the conversion you choose shapes everything that follows. Gamut tuned these BaseLUTs for th...
Gamut
Ether is Gamut's most dreamlike palette. Bright areas turn a glowing, almost misty cyan, the middle range cools toward blue, and the darkest...
Gamut
Le Rêve Films specialise in luxury wedding cinema, and this Gamut collection contains their six signature looks, numbered I to VI. Range Fro...
Gamut
Sometimes a grade just needs a final polish, and Boost exists for that job. What it does Raises vibrance only where colour is lacking, leavi...
Gamut