by Gamut
Log recording keeps every bit of information but none of the colour you want to show. Gamut's Canon pack handles the tedious first step, mapping C-Log and C-Log 3 into finished cinematic colour with clean skin, controlled brights and a gentle shoulder rather than a hard clip.
The LUTs were developed with filmmakers and photographers using custom colour theory, and they behave consistently in changing light, so a handheld interview and a lit commercial set land in the same place.
Useful on commercial, documentary and narrative jobs when deadlines are tight.
Sony log clips look flat, and the manufacturer's conversion often tints them green or pink. Gamut's technical LUTs correct this at the first...
Gamut
What is X88? A Gamut LUT set based on motion picture film emulation, meant to give footage weight without making it heavy. Contrast is refin...
Gamut
Prestige is Gamut's collection for fine-art and luxury wedding films, where colour should feel expensive rather than flashy and skin must st...
Gamut
Lumix full-frame bodies record V-Log flat on purpose. Gamut's base set is the translation layer that turns it into a clean, cinematic Rec709...
Gamut
Grass, hedges and trees are often the first things to look wrong in outdoor footage, glowing too brightly and pulling skin off with them. Ru...
Gamut
Kodak 500T, the tungsten stock filmmakers use after dark, is the reference for Cineclipse+. Gamut built it for colourists who want analog ch...
Gamut
Filmmaker Brady Bessette and Gamut set out to recreate an old print rediscovered in a shoebox. Highlights turn warm and slightly hazy, shado...
Gamut
Imagine a roll of Portra shot on a grey afternoon. Cascade borrows that warm, nostalgic film feel: gentle shoulders on the brights, natural...
Gamut