by Gamut
Sony log clips look flat, and the manufacturer's conversion often tints them green or pink. Gamut's technical LUTs correct this at the first step.
Neutral darks, faces free of a yellow-green cast, even saturation and a soft top end that keeps detail. Version 1.1 refined yellows, calmed skin further and tuned the roll-off around a mid-grey exposure of about 42 IRE.
Two 33-point cube LUTs: one for S-Log3 and one for S-Log2.
Also handy for monitoring colour on set. Loads in Premiere, Final Cut and Resolve.
Created by Jake Pierrelee for Gamut, Orion is a vintage film palette with strong reds, saturated navy blues and dark areas that still show t...
Gamut
Timbre has an earthy, bohemian warmth that stays steady from a woodland ceremony to a beach party to a dim indoor toast. Faces stay soft and...
Gamut
Created with How To Film Weddings, Luxe is meant for footage that should look expensive without shouting: vineyard ceremonies, seaside recep...
Gamut
Drone log footage needs a dependable first transform before any creative grade, and these Gamut LUTs supply it for the Mavic 4 Pro. What the...
Gamut
Prestige is Gamut's collection for fine-art and luxury wedding films, where colour should feel expensive rather than flashy and skin must st...
Gamut
In wedding films, the grade is judged on faces. Emma K for Gamut handles them with care: a warm palette, highlights that glow instead of cli...
Gamut
Colour grading shouldn't swallow your whole edit. Creator LUTs from Gamut give you a cinematic grade in a single click. Styles Warm, film-li...
Gamut
Fujifilm's F-Log2 is deliberately flat, and Gamut's conversions for the X100VI and X-T5 start right there. They produce a clean, filmic pict...
Gamut