by Gamut
Lumix log footage is all potential and no polish. Gamut's kit supplies the polish: neutral whites, honest complexions and reds that behave. Brights fade softly, and colour doesn't wander between bulb light, office ceilings and shade, so a hectic shoot day edits together quickly.
Everything uses the familiar .cube format. Ideal for Lumix GH and S owners, editors and colourists who want a correct starting image for adverts, documentaries and fiction in minutes.
Canon's own log conversions tend to give skin a pinkish lean and flatten the brights too early. Gamut's BaseLUTs fix the starting point inst...
Gamut
Think of these as plumbing, not paint. Gamut made the BaseLUTs to convert the ALEXA Mini LF's LogC3 recording into a correct viewing image f...
Gamut
Grass, hedges and trees are often the first things to look wrong in outdoor footage, glowing too brightly and pulling skin off with them. Ru...
Gamut
Why a camera-specific base? Log footage holds the information, not the picture. Because these transforms were built around the A7IV's own co...
Gamut
Le Rêve Films specialise in luxury wedding cinema, and this Gamut collection contains their six signature looks, numbered I to VI. Range Fro...
Gamut
Imagine Fuji 400H shot a stop over: glowing whites, blush-pink highlights and greens that stay lively. White In Revery built Adagio for Gamu...
Gamut
Fog in a pine valley, stone ridges under dull skies, a couple far from any road: Foris was made for that kind of footage. The grade runs coo...
Gamut
In wedding films, the grade is judged on faces. Emma K for Gamut handles them with care: a warm palette, highlights that glow instead of cli...
Gamut