by Gamut
Flame Films found its palette for Marble in Mediterranean sunlight and old European stonework: warm, polished and quietly filmic.
Every look comes with separate colour and contrast variants, fifteen cube files in all, so you can dial each grade exactly.
Tested on common Sony, Canon, Panasonic, Blackmagic, Nikon and Fujifilm cameras, and compatible with the major editors.
Created with How To Film Weddings, Luxe is meant for footage that should look expensive without shouting: vineyard ceremonies, seaside recep...
Gamut
The FX3 and A7SIII record enormous range in S-Log3, but that range only pays off when the conversion to standard video is right. The camera'...
Gamut
Gamut developed Immersion together with Sam Newton, who makes travel films. The grades lean toward deep, cinematic colour while protecting c...
Gamut
A wedding moves through many moods, and Dolce is designed to follow all of them without breaking continuity. Six moods 01 : clean and true t...
Gamut
Sony's log mode looks washed out on purpose, and the conversion you choose shapes everything that follows. Gamut tuned these BaseLUTs for th...
Gamut
Imagine Fuji 400H shot a stop over: glowing whites, blush-pink highlights and greens that stay lively. White In Revery built Adagio for Gamu...
Gamut
Kodak 500T, the tungsten stock filmmakers use after dark, is the reference for Cineclipse+. Gamut built it for colourists who want analog ch...
Gamut
Sometimes a grade just needs a final polish, and Boost exists for that job. What it does Raises vibrance only where colour is lacking, leavi...
Gamut