Choose an artist from the list to see the looks they made for photo and video.
762 products · 225 artists
AcidBite originally made these grades for its own promos and trailers, then released them for other editors. The look Moody, controlled dark...
AcidBite
Film character without lab costs. Mike Crawat's 2023 pack builds a nostalgic analog palette into digital files: warm highlights, softer cont...
Mike Crawat
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The Archetype Process rebuilt six Fujifilm consumer films from the real emulsions instead of approximating them. The result is the palette F...
The Archetype Process
Drone log files carry the data but none of the drama. Tropic Colour designed ten grades to restore it. What changes Oceans and skies turn a...
Tropic Colour
Triune Digital recorded genuine tape defects instead of faking them in software: rolling lines, tracking glitches, warped frames from damage...
Triune Digital
Made by filmmakers who grade their own projects, this library spans many genre moods. Genre sets Action : blockbuster contrast with cold ste...
Triune Digital
Beba Vowels developed Pack 02 after travelling around Hawaii, and the islands show in it: warm colour softened by the sun, low contrast and...
G-Presets
Three colourists, nine looks, one cause. Benj™, Maxime Tuczapski and Adam Lally created UNITY in response to the crisis in Ukraine, with the...
benj™
Why use it? Log mode on a drone keeps detail but looks lifeless. These ten grades add midtone punch, keep the sky properly blue and give lan...
Rain on asphalt, a pink-glowing vending machine, signs stacked six floors high: URBAN CHROME vol.2 was made for that. Shadows go deep, neon...
Joe Allam
Meg Loeks designed Solstice for Meridian around the honey-coloured light of a late afternoon indoors, soft at the edges and a little wistful...
Meridian Presets
Fall light feels heavy and golden, with warm faces and a palette of apple, spice and dried leaves. Twig & Olive captured that in Harvest Mat...
Twig & Olive Photography
Justin Veenema is known for city portraits with real presence, and this bundle gathers all of his released work. The style uses film-like co...
Justin Veenema
Old Kodachrome slides gave reds an almost emotional pull. Analogica Lab rebuilt that colour structure: thick, saturated hues, strong contras...
Analogica Lab
An Italian colourist at Analogica Lab built this node tree to make DaVinci Resolve Studio footage behave like 16mm Fuji cinema film. What yo...
Analogica Lab
Digital sensors often flatten the glow of lamps after sunset. Analogica Lab's emulation of the 500T cinema stock restores it. Colour feels l...
Analogica Lab
Tungsten-balanced film reacts to lamps and bulbs in its own way, and this Analogica Lab LUT recreates the slower 200T variant. Character A g...
Analogica Lab
250D is Kodak's daylight cinema stock, loved for how kindly it treats people. Analogica Lab distilled its colour into one hand-built cube fi...
Analogica Lab
Stratus is a flexible colour base rather than a one-click effect. Gamut kept it cinematic without overstyling: coppery light, optionally coo...
Gamut
ARTA's Silent Cold is about restraint. Blues and greys set the tone, warmth drops to a whisper and contrast stays quiet. Faces remain clean,...
ARTA Presets
Camellia feels like the first warm days of spring. A peachy glow sits beneath the skin, greens and neutrals drift into pastel and brights bl...
Archipelago
Presets.io borrowed its palette from classic film rolls: golden highlights, quiet shadows and softly lifted blacks, all in one click. Faces...
Presets.io
TKNORTH Studio aimed for rich filmic colour with believable people in it. Contrast is softened at the ends, colour harmonies come from edito...
TKNORTH
What kind of look is it? Hollywood colour in still form. Blue tints settle into the darker areas while sunlit areas stay golden, blacks are...
TKNORTH