250D is Kodak's daylight cinema stock, loved for how kindly it treats people. Analogica Lab distilled its colour into one hand-built cube file.
The result is warm without any orange cast. Brights melt away with a light bloom, contrast stays natural instead of crunchy, and colours drift into delicate pastels with a slight haze. Complexions are flattering and real, the quality that made this film famous.
Choose it where feeling outweighs punch: wedding films, travel diaries, family stories and soft lifestyle pieces.
Tungsten-balanced film reacts to lamps and bulbs in its own way, and this Analogica Lab LUT recreates the slower 200T variant. Character A g...
Analogica Lab
An Italian colourist at Analogica Lab built this node tree to make DaVinci Resolve Studio footage behave like 16mm Fuji cinema film. What yo...
Analogica Lab
For decades, Kodak Vision3 2383 print film defined how cinema colour looked on screen. Analogica Lab's LUTs recreate that print character fo...
Analogica Lab
Old Kodachrome slides gave reds an almost emotional pull. Analogica Lab rebuilt that colour structure: thick, saturated hues, strong contras...
Analogica Lab
Fujicolor C200 is a budget film with a lot of charm: highlights tilt golden without turning orange, midtones feel softly nostalgic and shado...
Analogica Lab
Digital sensors often flatten the glow of lamps after sunset. Analogica Lab's emulation of the 500T cinema stock restores it. Colour feels l...
Analogica Lab
Tungsten warmth, buttery highlight roll-off and a soft, low-contrast base: Analogica Lab's PowerGrade moves digital footage toward the amber...
Analogica Lab
Fuji Super 16 film has its own kind of warmth, with creamy highlights, gentle contrast and convincing skin. Analogica Lab's 16mm Fuji LUT re...
Analogica Lab