Old Kodachrome slides gave reds an almost emotional pull. Analogica Lab rebuilt that colour structure: thick, saturated hues, strong contrast that still keeps highlights clean and faces with a soft, creamy warmth. Applied to footage, it feels like a projected print rather than an effect.
A carefully graded chain of tone steps reproduces how the original film behaved, and the file remains light enough for smooth playback.
Video editors such as Resolve, Premiere and Final Cut, still-image tools like Photoshop and Lightroom, cameras that accept LUTs, and even digital art software.
Ideal for wedding and portrait films, adverts and editorial projects needing vintage richness.
Tungsten warmth, buttery highlight roll-off and a soft, low-contrast base: Analogica Lab's PowerGrade moves digital footage toward the amber...
Analogica Lab
Tungsten-balanced film reacts to lamps and bulbs in its own way, and this Analogica Lab LUT recreates the slower 200T variant. Character A g...
Analogica Lab
For decades, Kodak Vision3 2383 print film defined how cinema colour looked on screen. Analogica Lab's LUTs recreate that print character fo...
Analogica Lab
250D is Kodak's daylight cinema stock, loved for how kindly it treats people. Analogica Lab distilled its colour into one hand-built cube fi...
Analogica Lab
Digital sensors often flatten the glow of lamps after sunset. Analogica Lab's emulation of the 500T cinema stock restores it. Colour feels l...
Analogica Lab
Fujicolor C200 is a budget film with a lot of charm: highlights tilt golden without turning orange, midtones feel softly nostalgic and shado...
Analogica Lab
Fuji Super 16 film has its own kind of warmth, with creamy highlights, gentle contrast and convincing skin. Analogica Lab's 16mm Fuji LUT re...
Analogica Lab
An Italian colourist at Analogica Lab built this node tree to make DaVinci Resolve Studio footage behave like 16mm Fuji cinema film. What yo...
Analogica Lab