Log mode on a drone keeps detail but looks lifeless. These ten grades add midtone punch, keep the sky properly blue and give land a warm, cinematic tone, so beaches, woodland and rooftops keep their texture while bright clouds and dark ravines stay readable.
Tuned for DJI's log, enhanced log and normal colour modes across the Mavic, Mini, Air, FPV, Avata, Inspire and Phantom families.
Desktop editors such as Premiere, Resolve, Final Cut and After Effects, plus phone and beginner apps like VN, CapCut and Filmora. Log or RAW recordings respond best.
Ideal for travel and adventure edits, property videos, aerial montages and nature cutaways.
Pipeline is Cinegrain's professional toolkit for colourists working in ACES. Grade once, deliver anywhere The LUTs operate in ACEScct (AP1),...
CineGrain
Plenty of grades shout. Roman Khlyustov's KF set whispers. The four looks come straight from his own film work, refined over years of shooti...
Roman Khlyustov
CGDAO kept this pack small and quick: eight looks, all designed for footage that's already in standard Rec709. No extra steps There's no log...
CGDAO
Two and a half thousand grades cover an enormous range, and VHS Studio uses that space well. The library was put together by working filmmak...
VHS Studio
Wedding films rarely need more colour; they need a lighter touch. Preset Curator's set keeps bright dresses and skies soft at the top end an...
Preset Curator
Canon's own log conversions tend to give skin a pinkish lean and flatten the brights too early. Gamut's BaseLUTs fix the starting point inst...
Gamut
Footage from Blackmagic's 4K and 6K Pocket bodies looks grey until it's properly transformed, so this Buttery kit begins with that step. The...
Buttery LUTs
Think of these as plumbing, not paint. Gamut made the BaseLUTs to convert the ALEXA Mini LF's LogC3 recording into a correct viewing image f...
Gamut