Triune Digital recorded genuine tape defects instead of faking them in software: rolling lines, tracking glitches, warped frames from damaged cassettes and fuzzy static.
Laid over your clips, they give an authentic home-video wobble from the 80s and 90s, with glowing brights, shaky edges and noise that drifts like real tape. Since they sit on separate layers, you can keep things subtle or go all the way to a broken VCR.
Use them in any editor that accepts image and video overlays, including Premiere, Final Cut, Resolve and After Effects. Great for music promos, retro adverts, glitch art, trailers and shorts.
Made by filmmakers who grade their own projects, this library spans many genre moods. Genre sets Action : blockbuster contrast with cold ste...
Triune Digital
Triune Films traced each of these twenty-nine grades back to the colour of a particular film. The range is wide: the saturated warmth of a m...
Triune Digital
This was the first public release of Sam Kolder's personal recipes, the looks behind his Instagram feed and stories, refined over more than...
Sam Kolder
Flame Films found its palette for Marble in Mediterranean sunlight and old European stonework: warm, polished and quietly filmic. Five looks...
Gamut
Christopher Nolan's 2023 film swings between dense, high-contrast imagery and calmer, more balanced moments. This pack captures both sides....
Tropic Colour
Every LUT HungKai Chen has released is in this bundle, sorted by the picture profile you shoot in. Three folders Eleven for Sony S-Log Ten f...
HungKai Chen
Eric Floberg named the five looks after Chicago neighbourhoods, and they share one rule: cinematic colour that never fights the scene. Avond...
Gamut
For decades, Kodak Vision3 2383 print film defined how cinema colour looked on screen. Analogica Lab's LUTs recreate that print character fo...
Analogica Lab