An Italian colourist at Analogica Lab built this node tree to make DaVinci Resolve Studio footage behave like 16mm Fuji cinema film.
Brights that curve gently, a warm glow around light sources, pastel faces and the faintly soft, dusty surface of a projected print. Three print temperatures (D55, D60, D65) shift the feel cooler or warmer without starting over.
Thirteen stages: colour-space input for many log formats, film softening, grain, halation, exposure and bloom control, glow, dust, your own balance and saturation node, Fuji print curves, analog sharpening, a subtle camera-weave texture and a last polish.
Clips from Sony, Canon, Blackmagic, ARRI, Panasonic, Fujifilm, DJI and other mirrorless bodies all fit. Requires the Studio version of Resolve.
Fujicolor C200 is a budget film with a lot of charm: highlights tilt golden without turning orange, midtones feel softly nostalgic and shado...
Analogica Lab
Fuji Super 16 film has its own kind of warmth, with creamy highlights, gentle contrast and convincing skin. Analogica Lab's 16mm Fuji LUT re...
Analogica Lab
Old Kodachrome slides gave reds an almost emotional pull. Analogica Lab rebuilt that colour structure: thick, saturated hues, strong contras...
Analogica Lab
Tungsten-balanced film reacts to lamps and bulbs in its own way, and this Analogica Lab LUT recreates the slower 200T variant. Character A g...
Analogica Lab
Tungsten warmth, buttery highlight roll-off and a soft, low-contrast base: Analogica Lab's PowerGrade moves digital footage toward the amber...
Analogica Lab
For decades, Kodak Vision3 2383 print film defined how cinema colour looked on screen. Analogica Lab's LUTs recreate that print character fo...
Analogica Lab
250D is Kodak's daylight cinema stock, loved for how kindly it treats people. Analogica Lab distilled its colour into one hand-built cube fi...
Analogica Lab
Digital sensors often flatten the glow of lamps after sunset. Analogica Lab's emulation of the 500T cinema stock restores it. Colour feels l...
Analogica Lab