Made by filmmakers who grade their own projects, this library spans many genre moods.
The Colour Film Stock LUTs go the other way, with softer roll-off, grain-friendly contrast and the faded neutrals of real emulsion. Cinematic V1 to V5 and the Bizarre collection cover everything from clean commercial polish to strange, stylised colour.
.cube files for LOG or Rec.709 footage, usable in Premiere Pro, Resolve, Final Cut Pro, After Effects, Avid, Vegas and HitFilm, and for stills in Photoshop, Lightroom Classic 7.3+, Capture One and Affinity Photo. Useful for shorts, features, music videos and commercials where mood must land fast.
Triune Digital recorded genuine tape defects instead of faking them in software: rolling lines, tracking glitches, warped frames from damage...
Triune Digital
Triune Films traced each of these twenty-nine grades back to the colour of a particular film. The range is wide: the saturated warmth of a m...
Triune Digital
Cinecolor's 1990s set is the most understated of its decade packs. The look Shadows are lifted, colour is a little washed back and transitio...
Cinecolor
CGDAO kept this pack small and quick: eight looks, all designed for footage that's already in standard Rec709. No extra steps There's no log...
CGDAO
Creative grades only work well on a solid foundation. These five Tropic Colour LUTs provide it for Canon log footage. What they do Map flat,...
Tropic Colour
CinePrint35 brings two film gauges into DaVinci Resolve. The formats 35mmFiner, cleaner and more polished.16mmGrainier, softer and rougher a...
CinePrint35
Cinema from the 1970s has an unmistakable warmth, and Cinecolor tried to bottle it. Character Contrast that behaves like film, honeyed middl...
Cinecolor
This is Tropic Colour in serious mode: a dozen grades created by an experienced senior colourist. The finish Polished and filmic, with depth...
Tropic Colour