Plenty of grades shout. Roman Khlyustov's KF set whispers. The four looks come straight from his own film work, refined over years of shooting and colouring.
Faces stay warm and convincing, bright areas melt off rather than clip, dark areas keep information and saturation lands where the eye expects. Footage feels like film but never looks processed; the colour serves the shot instead of competing with it.
The looks stay consistent when lighting is mixed, which matters on documentaries, lifestyle pieces, travel films and narrative projects.
Fujicolor C200 is a budget film with a lot of charm: highlights tilt golden without turning orange, midtones feel softly nostalgic and shado...
Analogica Lab
Phlearn, known for its photo-editing education, put together a tiny set of grades for pregnancy shoots. Five gentle moods Blossom pink, a co...
Phlearn
Tungsten warmth, buttery highlight roll-off and a soft, low-contrast base: Analogica Lab's PowerGrade moves digital footage toward the amber...
Analogica Lab
Mango Street Lab picked seven legendary film emulsions and built sixteen Lightroom looks around them. Separate versions for people and place...
Mango Street
Why a camera-specific base? Log footage holds the information, not the picture. Because these transforms were built around the A7IV's own co...
Gamut
Archipelago is best known for photo presets, and Quest 01 carries that colour signature into video. The look Rich, slightly nostalgic warmth...
Archipelago
CGDAO kept this pack small and quick: eight looks, all designed for footage that's already in standard Rec709. No extra steps There's no log...
CGDAO
Sony log clips look flat, and the manufacturer's conversion often tints them green or pink. Gamut's technical LUTs correct this at the first...
Gamut