by Griffin LUTs
Shooting flat on a drone is easy; finishing it is the hard part. Griffin built Ground Control specifically for Mavic D-Log, and added Rec.709 versions for clips that are already corrected or recorded in a standard profile.
Warm and filmic. Skies keep their blue and their smooth gradient without banding, landscapes gain midtone texture, and contrast stays balanced at sunrise or over a hazy skyline. Tonal transitions remain smooth, which matters when panning across a wide horizon.
Resolve 9+, Premiere Pro, After Effects, Photoshop, Media Encoder, Final Cut Pro X (with LUT Utility) and more.
Raztrend dug deep into the history of Kodak monochrome film to build this archive. What it covers Famous stocks spanning roughly a century,...
Raztrend
FilmVision V2 works the way a lab treats a developed negative. Scan first, then grade Its first step reproduces a low-contrast scanner outpu...
Buttery offers two packs for Blackmagic Pocket cameras, and this is the larger one. Starting point A natural-looking conversion to standard...
Buttery LUTs
A wedding moves through many moods, and Dolce is designed to follow all of them without breaking continuity. Six moods 01 : clean and true t...
Gamut
A certain recent desert-set film made pastel retro colour fashionable again, and this collection runs with that idea: chalky rose, washed-ou...
Imagine Fuji 400H shot a stop over: glowing whites, blush-pink highlights and greens that stay lively. White In Revery built Adagio for Gamu...
Gamut
Three-strip Technicolor is the reason classic Hollywood looks so lush. Cinecolor recreated its analog logic. How it works The image is separ...
Cinecolor
Golden hour is short, and grading it properly is half the job. This pack from FCPX Full Access focuses entirely on that window of light. Bur...
FCPX Full Access