Hestia LUTs by Russell Kent Nicholls – Gamut Earthy Greens
Grass, hedges and trees are often the first things to look wrong in outdoor footage, glowing too brightly and pulling skin off with them. Ru...
Gamutby Bounce Color
Night-time city footage often looks best darker and richer, and Bounce Color's Urban Dark collection is made for exactly that. Ten standard-video grades give dense contrast and brooding street palettes, from cold, washed-out cinema tones to warm retro looks, while people under lamp posts still look like themselves.
Darks stay solid without turning to sludge, and reflections on rain or neon signs keep their form.
All cube format, so they work in the usual editors on both log and normal footage from DSLRs or cinema cameras. Built for street and urban storytelling.
Grass, hedges and trees are often the first things to look wrong in outdoor footage, glowing too brightly and pulling skin off with them. Ru...
GamutRather than presets, Care4art offers a library of real weather and light. Every element was photographed instead of rendered, so it fades an...
Care4artSixteen-millimetre film has a charm modern sensors lack, and Vuhlandes tried to capture it in five grades. Character Warm colour, a little t...
VuhlandesThe biggest films are often shot on 65mm and IMAX stock. Cinecolor's Large Format pack draws on that look. What it simulates Analog processi...
CinecolorDon't expect ready-made colour styles here. Ericlenz Essentials, which used to be called the Professionals' Suite, is a large collection of...
EriclenzSony's own conversion gets S-Log into Rec709, but the result often looks brittle. A gentler conversion Buttery's version is smoother and mor...
Buttery LUTsAcidbite aimed GRITTY at editors who want their footage to hit hard. The look Heavy contrast, rich blacks, a tactile texture and bright, ene...
AcidBiteSome LUTs try to do everything. This single file from GNProduction does one job well: grading DJI drone footage recorded in D-Cinelike over...
GNProduction