by Tom Bolles
Tom Bolles built CinePrint16 for colourists who want digital images to behave like a projected print. The node tree passes footage through a simulated Cineon negative and then a Kodak or Fuji print stock.
Print density and softened contrast: a warm shoulder in the brights, light halation around bright edges and deep shadows that stay readable. Choose 8mm, 16mm or 35mm character, or switch on an optional 1960s vintage treatment. Dynamic range remains intact, so creative choices are still yours.
Works in both the free and Studio versions of Resolve on Mac, Windows and Linux, with Blackmagic RAW, ProRes, RED, ARRI and log footage.
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