by VHS Studio
Two and a half thousand grades cover an enormous range, and VHS Studio uses that space well. The library was put together by working filmmakers.
Whatever a scene calls for, there's a starting point rather than a single house style.
Every file is industry-standard .CUBE and works on LOG or Rec.709, so you can grade straight from a flat camera profile or push footage that's already baked. Drag and drop, no plugins, delivered as one standalone ZIP for Premiere, After Effects, Resolve and Final Cut on Windows or macOS.
Phlearn, known for its photo-editing education, put together a tiny set of grades for pregnancy shoots. Five gentle moods Blossom pink, a co...
Phlearn
An Italian colourist at Analogica Lab built this node tree to make DaVinci Resolve Studio footage behave like 16mm Fuji cinema film. What yo...
Analogica Lab
Sony's S-Log3 is notoriously tricky: a look that sings on one clip can fall apart on the next. Faces come first This edition was refined acr...
A famous neon-noir science-fiction franchise inspired this trio of grades. Three moods Cold : steely blues of rainy, neon-soaked streets aft...
Hollywood LUTs
Cinema from the 1970s has an unmistakable warmth, and Cinecolor tried to bottle it. Character Contrast that behaves like film, honeyed middl...
Cinecolor
Night-time city footage often looks best darker and richer, and Bounce Color's Urban Dark collection is made for exactly that. Ten standard-...
Bounce Color
Juan Melara built this toolkit for a single purpose: getting footage from the original Pocket 4K, recorded in its fourth-generation film mod...
Juan Melara
This is everything Daniel John Peters offers, combining colour, texture and audio so it covers far more of an edit than a LUT pack alone. Co...
Daniel John Peters