This is everything Daniel John Peters offers, combining colour, texture and audio so it covers far more of an edit than a LUT pack alone.
LUTs for LUMIX bodies (Cine D, V-Log, HLG, plus Kodachrome and Ektachrome styles), Sony S-Log2 including moody film variants, and Canon C-Log.
Dirty Kodak and matte film overlays, Super8, custom mattes, a View-Master frame, three organic Portra packs, light grain and chat-style overlays.
The same sound design elements Daniel uses in his own cinematic videos.
Works across desktop editors and LumaFusion.
Drone log files carry the data but none of the drama. Tropic Colour designed ten grades to restore it. What changes Oceans and skies turn a...
Tropic Colour
Three-strip Technicolor is the reason classic Hollywood looks so lush. Cinecolor recreated its analog logic. How it works The image is separ...
Cinecolor
A wedding moves through many moods, and Dolce is designed to follow all of them without breaking continuity. Six moods 01 : clean and true t...
Gamut
For a few minutes after the sun goes down, cities look their best: the sky turns ink-blue while windows, shop signs and lamps switch on. YCI...
YCImaging
Car films are all about atmosphere, and 640 Studio created these grades so the mood is set from the opening shot. From bright to brooding Th...
640 Studio
Paramount Motion's EXPLOSION is one of the biggest LUT libraries you can buy. Scale Two collections combined, more than 3,100 files, organis...
Paramount Motion
Mango Street grade their own videos with these six LUTs, each named after a place. VeniceBright whites and rich blues.ChinatownCrushed black...
Mango Street
Ever wanted your footage to carry the colour of a recent hit film? Movie Looks Vol. 2 gets you close without days of grading. How they were...
Tropic Colour