by Juan Melara
Juan Melara built this toolkit for a single purpose: getting footage from the original Pocket 4K, recorded in its fourth-generation film mode, to respond like it came from an ARRI camera.
Once the clips speak ARRI's log language, the enormous catalogue of grades made for that ecosystem opens up to a far cheaper camera.
Roll-off, faces and latitude end up remarkably close to the real thing.
BlueLUTs created their fourth pack for Sony shooters who record in the Cine picture profiles, and they tuned it specifically for Cine4. What...
Cine4 LUTs
Retro 90's collects 33 original looks inspired by well-known films of that decade, from war epics and crime thrillers to dinosaur blockbuste...
Why use it? Log mode on a drone keeps detail but looks lifeless. These ten grades add midtone punch, keep the sky properly blue and give lan...
MapleVisuals packed a dozen grades into one set, covering everything from dark and atmospheric to sunny and colourful. Projects it fits Shor...
MapleVisuals
Orange-and-teal is the colour scheme of action cinema and big commercials, and Faction is Gamut's version of it. Firm contrast, clear separa...
Gamut
Consider it a greatest-hits album. Tropic Colour collected the grades that performed best across more than thirteen of its Creative Looks pa...
Tropic Colour
Ever wanted your footage to carry the colour of a recent hit film? Movie Looks Vol. 2 gets you close without days of grading. How they were...
Tropic Colour
Why not stick with the camera maker's LUT? Blackmagic supplies a basic conversion, but Buttery's version aims to look more like cinema: brig...
Buttery LUTs