by Cinecolor
Cinema from the 1970s has an unmistakable warmth, and Cinecolor tried to bottle it.
Contrast that behaves like film, honeyed middle tones and golden brights that give every frame a soft, wistful glow. Nothing is harsh; everything feels lived-in.
Ten looks, each available for video editors as a cube LUT and for photo editors as an XMP preset.
Load them into the major video apps as well as Lightroom and Photoshop.
Cinecolor's Twilight collection is dedicated to the edges of the day: the golden hour, the blue hour and that last glimmer after sunset. Wha...
Cinecolor
If Cinecolor's 70s pack is warm and mellow, the 80s pack is turned up to eleven. The look Punchy saturation, deep shadows and colour that dr...
Cinecolor
The biggest films are often shot on 65mm and IMAX stock. Cinecolor's Large Format pack draws on that look. What it simulates Analog processi...
Cinecolor
Cinecolor's 1990s set is the most understated of its decade packs. The look Shadows are lifted, colour is a little washed back and transitio...
Cinecolor
Hitchcock's famous 1960 thriller gave Cinecolor the idea for Psycho. The look All colour is removed and contrast is pushed hard. Blacks are...
Cinecolor
Cinecolor designed this tiny pack to make viewers uncomfortable. What it does Shadows grow deeper, midtones sharpen and colour bends away fr...
Cinecolor
Three-strip Technicolor is the reason classic Hollywood looks so lush. Cinecolor recreated its analog logic. How it works The image is separ...
Cinecolor
In wedding films, the grade is judged on faces. Emma K for Gamut handles them with care: a warm palette, highlights that glow instead of cli...
Gamut