by Gamut
Ether is Gamut's most dreamlike palette. Bright areas turn a glowing, almost misty cyan, the middle range cools toward blue, and the darkest tones settle into deep cobalt with a hint of violet.
Instead of punch, it offers atmosphere: a night street or a softly lit room starts to feel remembered rather than documented.
Artists and colourists who care more about feeling than accuracy, working on story-driven shorts, music promos, fashion films or experimental and ambient pieces.
Fog in a pine valley, stone ridges under dull skies, a couple far from any road: Foris was made for that kind of footage. The grade runs coo...
Gamut
Flame Films found its palette for Marble in Mediterranean sunlight and old European stonework: warm, polished and quietly filmic. Five looks...
Gamut
Eric Floberg named the five looks after Chicago neighbourhoods, and they share one rule: cinematic colour that never fights the scene. Avond...
Gamut
The SL2-S records L-Log to protect highlights and shadows, which means the footage needs a careful translation. Gamut's conversions keep Lei...
Gamut
Created by Jake Pierrelee for Gamut, Orion is a vintage film palette with strong reds, saturated navy blues and dark areas that still show t...
Gamut
Imagine Fuji 400H shot a stop over: glowing whites, blush-pink highlights and greens that stay lively. White In Revery built Adagio for Gamu...
Gamut
Nobody gets excited about colour conversion, but get it wrong and the footage suffers. Gamut's BaseLUTs for the OM-1 Mark II handle that ste...
Gamut
Lumix full-frame bodies record V-Log flat on purpose. Gamut's base set is the translation layer that turns it into a clean, cinematic Rec709...
Gamut