by Gamut
Fog in a pine valley, stone ridges under dull skies, a couple far from any road: Foris was made for that kind of footage.
The grade runs cool and green, with dark woodland tones, misty shadows and contrast that feels substantial. Faces stay credible rather than drifting teal. The balance sits between stylised and honest: moody, but never a gimmick.
Foris 01 to 06 make it easy to match shots as the weather shifts without rebuilding your grade.
Supplied as cube files for Resolve, Premiere, Final Cut and similar. Suits adventure films, elopements, outdoor weddings, travel and documentary pieces and cinematic YouTube content where the landscape leads.
The SL2-S records L-Log to protect highlights and shadows, which means the footage needs a careful translation. Gamut's conversions keep Lei...
Gamut
Sony log clips look flat, and the manufacturer's conversion often tints them green or pink. Gamut's technical LUTs correct this at the first...
Gamut
Le Rêve Films specialise in luxury wedding cinema, and this Gamut collection contains their six signature looks, numbered I to VI. Range Fro...
Gamut
Pocket cameras record Blackmagic's Gen5 Film curve, and the path from there to a viewable image shapes every later decision. Gamut built the...
Gamut
Filmmaker Brady Bessette and Gamut set out to recreate an old print rediscovered in a shoebox. Highlights turn warm and slightly hazy, shado...
Gamut
Kodak 500T, the tungsten stock filmmakers use after dark, is the reference for Cineclipse+. Gamut built it for colourists who want analog ch...
Gamut
Nobody gets excited about colour conversion, but get it wrong and the footage suffers. Gamut's BaseLUTs for the OM-1 Mark II handle that ste...
Gamut
Immersion 2.0 is the follow-up Gamut created with filmmaker Sam Newton. It brings refined colour science and tighter control of highlights a...
Gamut