by Gamut
The SL2-S records L-Log to protect highlights and shadows, which means the footage needs a careful translation. Gamut's conversions keep Leica's colour character intact.
Skin comes out warm and genuine, very bright areas soften instead of clipping, and the tone curve leans toward film with contrast that suits editorial and cinematic grading. Dark areas stay open and the full range survives, leaving a base clean enough for creative looks on top.
Use them for luxury adverts, wedding and portrait films, documentaries and travel pieces where Leica colour carries the story. Compatible with Resolve, Premiere, Final Cut and any cube-reading app.
In wedding films, the grade is judged on faces. Emma K for Gamut handles them with care: a warm palette, highlights that glow instead of cli...
Gamut
Why a camera-specific base? Log footage holds the information, not the picture. Because these transforms were built around the A7IV's own co...
Gamut
Imagine a roll of Portra shot on a grey afternoon. Cascade borrows that warm, nostalgic film feel: gentle shoulders on the brights, natural...
Gamut
Immersion 2.0 is the follow-up Gamut created with filmmaker Sam Newton. It brings refined colour science and tighter control of highlights a...
Gamut
Orange-and-teal is the colour scheme of action cinema and big commercials, and Faction is Gamut's version of it. Firm contrast, clear separa...
Gamut
Fujifilm's F-Log2 is deliberately flat, and Gamut's conversions for the X100VI and X-T5 start right there. They produce a clean, filmic pict...
Gamut
Think of these as plumbing, not paint. Gamut made the BaseLUTs to convert the ALEXA Mini LF's LogC3 recording into a correct viewing image f...
Gamut
Five grades, five distinct moods. Kinetic from Gamut favours deep blues, saturated reds and warm, credible skin, and its shadows carry weigh...
Gamut