by Gamut
Kodak 500T, the tungsten stock filmmakers use after dark, is the reference for Cineclipse+. Gamut built it for colourists who want analog character inside a digital workflow.
Dense, warm complexions; blues pushed toward deep cyan; and a milky shadow floor instead of crushed black. A hint of halation glows around bright points, organic grain adds texture and a split-toning system ties it all together.
Cineclipse 01 to 06 move from subtle to strong versions of the same colour science.
Neon-lit streets, night interiors, moody narrative scenes and music videos. Delivered as .cube files for DaVinci Resolve, Premiere Pro, Final Cut Pro, After Effects and other LUT-capable software.
Log recording keeps every bit of information but none of the colour you want to show. Gamut's Canon pack handles the tedious first step, map...
Gamut
Stratus is a flexible colour base rather than a one-click effect. Gamut kept it cinematic without overstyling: coppery light, optionally coo...
Gamut
Think of these as plumbing, not paint. Gamut made the BaseLUTs to convert the ALEXA Mini LF's LogC3 recording into a correct viewing image f...
Gamut
Pocket cameras record Blackmagic's Gen5 Film curve, and the path from there to a viewable image shapes every later decision. Gamut built the...
Gamut
Fog in a pine valley, stone ridges under dull skies, a couple far from any road: Foris was made for that kind of footage. The grade runs coo...
Gamut
Eric Floberg named the five looks after Chicago neighbourhoods, and they share one rule: cinematic colour that never fights the scene. Avond...
Gamut
Created by Jake Pierrelee for Gamut, Orion is a vintage film palette with strong reds, saturated navy blues and dark areas that still show t...
Gamut
Drone log footage needs a dependable first transform before any creative grade, and these Gamut LUTs supply it for the Mavic 4 Pro. What the...
Gamut