by FilterGrade
Celluloid comes from Rémy De Vlieger, a colourist based in France, and his post team. Their professional grades usually begin by imitating a projected film print, and this pack starts from the same foundation.
From that common base, every look heads somewhere new, some faithful to classic film, others more daring and contemporary.
Combine two looks, or dial one down, to create something personal.
Opens in Adobe's video and photo apps, Resolve and Final Cut.
This sequel to FilterGrade's Celluloid pack has one priority: faces. Why it's different Strong LUTs often make skin look plastic. These grad...
FilterGrade
Levels LUT created more than one hundred and forty original looks, spanning cold, dramatic grades through to warm, earthy and natural ones....
FilterGrade
This set was developed from a detailed study of Kodak's tungsten 500-speed motion picture stock, a favourite for night exteriors and dim int...
Sony's log mode looks washed out on purpose, and the conversion you choose shapes everything that follows. Gamut tuned these BaseLUTs for th...
Gamut
Two things trip up a lot of LUT packs: faces and foliage. WhoisMatt focused on getting both right, so people look like themselves and trees...
WhoisMatt
Some LUTs try to do everything. This single file from GNProduction does one job well: grading DJI drone footage recorded in D-Cinelike over...
GNProduction
Gamut developed Immersion together with Sam Newton, who makes travel films. The grades lean toward deep, cinematic colour while protecting c...
Gamut
Cinepack is a big library of 553 looks chasing the feel of motion picture film. The grades Faces stay natural while brights and darks are sh...
Cinepack