by WhoisMatt
Two things trip up a lot of LUT packs: faces and foliage. WhoisMatt focused on getting both right, so people look like themselves and trees don't glow radioactive, while the overall colour still feels lively and filmic.
Each of the twelve grades comes in a standard-video version and a log version, tested on popular bodies from Sony, Canon and Panasonic.
Opens in Premiere, After Effects, Final Cut and Resolve.
Why a camera-specific base? Log footage holds the information, not the picture. Because these transforms were built around the A7IV's own co...
Gamut
Color Finale's first cinematic pack mixes two different tools. Mood grades Creative LUTs that quickly establish an atmosphere, from honeyed...
Color Finale
This bundle unites two generations of Phil Chester's grading work: the original Classic PC set and the newer PS set, thirty-nine files altog...
Phil Chester
Two and a half thousand grades cover an enormous range, and VHS Studio uses that space well. The library was put together by working filmmak...
VHS Studio
Raztrend dug deep into the history of Kodak monochrome film to build this archive. What it covers Famous stocks spanning roughly a century,...
Raztrend
Kodak 2383 is the print stock behind a huge amount of classic theatrical colour, known for dense, deep contrast and saturated hues. Rebuilt...
Nomadic George
Mango Street Lab picked seven legendary film emulsions and built sixteen Lightroom looks around them. Separate versions for people and place...
Mango Street
Celluloid comes from Rémy De Vlieger, a colourist based in France, and his post team. Their professional grades usually begin by imitating a...
FilterGrade