by Gamut
Sony's log mode looks washed out on purpose, and the conversion you choose shapes everything that follows. Gamut tuned these BaseLUTs for three popular bodies: the FX30, the A6700 and the A7RV.
A realistic, neutral picture where faces stay warm instead of turning pink or green, and very bright areas ease off like film. There's enough shape to evaluate the shot and plenty of headroom for creative grading.
Practical for wedding, corporate, travel and documentary crews, and for matching several cameras in one timeline. Works in the main editors that accept cube files.
Canon's own log conversions tend to give skin a pinkish lean and flatten the brights too early. Gamut's BaseLUTs fix the starting point inst...
Gamut
In wedding films, the grade is judged on faces. Emma K for Gamut handles them with care: a warm palette, highlights that glow instead of cli...
Gamut
Created by Jake Pierrelee for Gamut, Orion is a vintage film palette with strong reds, saturated navy blues and dark areas that still show t...
Gamut
Drone log footage needs a dependable first transform before any creative grade, and these Gamut LUTs supply it for the Mavic 4 Pro. What the...
Gamut
Fujifilm's F-Log2 is deliberately flat, and Gamut's conversions for the X100VI and X-T5 start right there. They produce a clean, filmic pict...
Gamut
Lumix log footage is all potential and no polish. Gamut's kit supplies the polish: neutral whites, honest complexions and reds that behave....
Gamut
Imagine Fuji 400H shot a stop over: glowing whites, blush-pink highlights and greens that stay lively. White In Revery built Adagio for Gamu...
Gamut
Orange-and-teal is the colour scheme of action cinema and big commercials, and Faction is Gamut's version of it. Firm contrast, clear separa...
Gamut