This set was developed from a detailed study of Kodak's tungsten 500-speed motion picture stock, a favourite for night exteriors and dim interiors.
Rather than copying a few sample frames, the aim was to reproduce how the stock responds across under- and overexposure.
The files expect a managed workflow and don't assume any particular camera. They adapt to various working spaces and give their best results inside Resolve's wide gamut.
Colourists on short films, ads and documentaries who want a dependable film foundation to grade on top of.
Consider it a greatest-hits album. Tropic Colour collected the grades that performed best across more than thirteen of its Creative Looks pa...
Tropic Colour
This sequel to FilterGrade's Celluloid pack has one priority: faces. Why it's different Strong LUTs often make skin look plastic. These grad...
FilterGrade
Creative grades only work well on a solid foundation. These five Tropic Colour LUTs provide it for Canon log footage. What they do Map flat,...
Tropic Colour
Cinecolor's 1990s set is the most understated of its decade packs. The look Shadows are lifted, colour is a little washed back and transitio...
Cinecolor
Wedding films rarely need more colour; they need a lighter touch. Preset Curator's set keeps bright dresses and skies soft at the top end an...
Preset Curator
Orange-and-teal is the colour scheme of action cinema and big commercials, and Faction is Gamut's version of it. Firm contrast, clear separa...
Gamut
This bundle pairs two of Neptuns' popular edit packs with six of his private, previously unreleased presets. Not colour presets These are mo...
Neptuns
FilmVision V2 works the way a lab treats a developed negative. Scan first, then grade Its first step reproduces a low-contrast scanner outpu...