by Gamut
Gamut developed Immersion together with Sam Newton, who makes travel films. The grades lean toward deep, cinematic colour while protecting complexions: heavy cool shadows, saturated cyan and navy tones, warm gold in the bright areas and earthy middle tones, all with restrained saturation and clear separation. Clear tropical sea looks like glass, sunbaked highways turn amber, and people still look natural.
Each look also has a + version with deeper shadows and more vibrance, ten .cube files in total. Use them directly on well-exposed Rec.709 clips, or combine them with Gamut BaseLUTs when the source is LOG. Compatible with Resolve, Premiere, Final Cut, After Effects and other .cube-ready editors.
Created by Jake Pierrelee for Gamut, Orion is a vintage film palette with strong reds, saturated navy blues and dark areas that still show t...
Gamut
What is X88? A Gamut LUT set based on motion picture film emulation, meant to give footage weight without making it heavy. Contrast is refin...
Gamut
Created with How To Film Weddings, Luxe is meant for footage that should look expensive without shouting: vineyard ceremonies, seaside recep...
Gamut
Five grades, five distinct moods. Kinetic from Gamut favours deep blues, saturated reds and warm, credible skin, and its shadows carry weigh...
Gamut
Immersion 2.0 is the follow-up Gamut created with filmmaker Sam Newton. It brings refined colour science and tighter control of highlights a...
Gamut
In wedding films, the grade is judged on faces. Emma K for Gamut handles them with care: a warm palette, highlights that glow instead of cli...
Gamut
Orange-and-teal is the colour scheme of action cinema and big commercials, and Faction is Gamut's version of it. Firm contrast, clear separa...
Gamut
What problem does it solve? S-Log3 footage records huge dynamic range but looks grey and flat straight out of camera. Jacob Nordin's six LUT...
Jacob Nordin