by FilterGrade
Levels LUT created more than one hundred and forty original looks, spanning cold, dramatic grades through to warm, earthy and natural ones.
They're tuned for S-Log2 and S-Log3 recordings.
Each style comes in seven brightness levels. On a long job with many setups you keep one look and simply choose the step matching each clip's exposure, which keeps the timeline consistent with very little extra correction.
Premiere, After Effects, SpeedGrade, Resolve, Final Cut and Vegas.
Distributed via FilterGrade.
Celluloid comes from Rémy De Vlieger, a colourist based in France, and his post team. Their professional grades usually begin by imitating a...
FilterGrade
This sequel to FilterGrade's Celluloid pack has one priority: faces. Why it's different Strong LUTs often make skin look plastic. These grad...
FilterGrade
Some LUTs try to do everything. This single file from GNProduction does one job well: grading DJI drone footage recorded in D-Cinelike over...
GNProduction
Samuel Silitonga Jr. makes vibrant, high-energy travel films, and these five looks capture that signature. The style Saturated but controlle...
Samuel Silitonga Jr.
What is it? A conversion pack from Tropic Colour for RED KOMODO 6K footage shot in Log. It handles the unglamorous first step of every grade...
Tropic Colour
Lutmix created this set with portrait work in mind, paying special attention to faces and fine detail. Formats Ten grades, each saved in fou...
Lutmix
Plenty of Sony owners film in the Cine2 or Cine4 picture profiles on older mirrorless bodies. Christian Mate created three grades that turn...
Christian Mate
Long before modern colour film, Hollywood relied on Technicolor. The early two-strip version could only reproduce a narrow band of reds and...
FSorvin