by Gamut
Log footage holds the information, not the picture. Because these transforms were built around the A7IV's own colour response, a window-lit room and a bright street scene end up on the same neutral, filmic footing.
Balanced contrast that a colourist would be happy with, warm natural complexions and highlights that ease off. Grade further, or deliver it as it is.
A7IV owners filming weddings, portraits, brand and commercial projects, travel and cinematic YouTube. Resolve is recommended; Premiere, Final Cut and other LUT editors also work.
Colour grading shouldn't swallow your whole edit. Creator LUTs from Gamut give you a cinematic grade in a single click. Styles Warm, film-li...
Gamut
Gamut developed Immersion together with Sam Newton, who makes travel films. The grades lean toward deep, cinematic colour while protecting c...
Gamut
Sony's log mode looks washed out on purpose, and the conversion you choose shapes everything that follows. Gamut tuned these BaseLUTs for th...
Gamut
Orange-and-teal is the colour scheme of action cinema and big commercials, and Faction is Gamut's version of it. Firm contrast, clear separa...
Gamut
Stratus is a flexible colour base rather than a one-click effect. Gamut kept it cinematic without overstyling: coppery light, optionally coo...
Gamut
Filmmaker Brady Bessette and Gamut set out to recreate an old print rediscovered in a shoebox. Highlights turn warm and slightly hazy, shado...
Gamut
Nobody gets excited about colour conversion, but get it wrong and the footage suffers. Gamut's BaseLUTs for the OM-1 Mark II handle that ste...
Gamut
Five grades, five distinct moods. Kinetic from Gamut favours deep blues, saturated reds and warm, credible skin, and its shadows carry weigh...
Gamut