by Color Finale
Color Finale's first cinematic pack mixes two different tools.
Creative LUTs that quickly establish an atmosphere, from honeyed warmth to cold, dramatic blues.
These are the interesting part. A single file takes flat log footage, maps it to standard video colour and applies a filmic look simultaneously, saving a step in every project.
Short films, online videos and paid client work. Beyond the usual video editors, it also opens in photo programs such as Pixelmator Pro and Affinity Photo.
Sony's S-Log3 is notoriously tricky: a look that sings on one clip can fall apart on the next. Faces come first This edition was refined acr...
What is it? A conversion pack from Tropic Colour for RED KOMODO 6K footage shot in Log. It handles the unglamorous first step of every grade...
Tropic Colour
Ether is Gamut's most dreamlike palette. Bright areas turn a glowing, almost misty cyan, the middle range cools toward blue, and the darkest...
Gamut
Sand dunes, red rock canyons and sun-baked plains inspired KRStocks' Desert pack, though the warm grades work on plenty of other travel and...
KRStocks
Rather than presets, Care4art offers a library of real weather and light. Every element was photographed instead of rendered, so it fades an...
Care4art
Two things trip up a lot of LUT packs: faces and foliage. WhoisMatt focused on getting both right, so people look like themselves and trees...
WhoisMatt
Valdays Film intended this as the pack you reach for on ordinary projects, sorted by the situation you filmed in. Daylight8 clean, cinematic...
Valdays Film
This is Tropic Colour in serious mode: a dozen grades created by an experienced senior colourist. The finish Polished and filmic, with depth...
Tropic Colour