Plenty of Sony owners film in the Cine2 or Cine4 picture profiles on older mirrorless bodies. Christian Mate created three grades that turn that footage into something filmic immediately.
Open the Lumetri panel, choose one in the Creative section and lower or raise its intensity until it looks right.
Any editor that accepts cube files will load them. Clips from different cameras can also benefit, provided you balance them first.
A fast, low-effort way to make Sony footage look more cinematic.
Every LUT HungKai Chen has released is in this bundle, sorted by the picture profile you shoot in. Three folders Eleven for Sony S-Log Ten f...
HungKai Chen
Log footage rarely carries any mood by itself. Modo puts it back: film-inspired colour with a modern finish, rich atmospheric contrast and d...
Preset Curator
Film Space teamed up with JustKay to make five looks for Blackmagic's fifth-generation colour science. Cameras The Pocket Cinema Camera 4K,...
Film Space
Cinematographer Phil Holland designed PhilmColor around RED's IPP2 pipeline, and it's meant to be assembled, not just applied. The looks Gra...
PhilmColor
This set was developed from a detailed study of Kodak's tungsten 500-speed motion picture stock, a favourite for night exteriors and dim int...
AcidBite's Elegant pack contains eighteen cinematic looks, each offered in a soft and a hard version. Why it's so big Camera coverage. Every...
AcidBite
Sometimes a grade just needs a final polish, and Boost exists for that job. What it does Raises vibrance only where colour is lacking, leavi...
Gamut
Created with How To Film Weddings, Luxe is meant for footage that should look expensive without shouting: vineyard ceremonies, seaside recep...
Gamut