A conversion pack from Tropic Colour for RED KOMODO 6K footage shot in Log. It handles the unglamorous first step of every grade: turning flat, grey clips into a clean Rec.709 image.
Accurate colour, balanced contrast and smooth roll-off. Skin looks believable, highlights don't snap, and there's cinematic depth without heavy styling. Treat it as the neutral base you grade from, not a finished look.
Anyone cutting commercials, wedding films, YouTube videos or narrative projects on the KOMODO who would rather spend time on the creative grade than rebuild a base transform for every clip. Works in all major editors.
Created by Jake Pierrelee for Gamut, Orion is a vintage film palette with strong reds, saturated navy blues and dark areas that still show t...
Gamut
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Orange-and-teal is the colour scheme of action cinema and big commercials, and Faction is Gamut's version of it. Firm contrast, clear separa...
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In wedding films, the grade is judged on faces. Emma K for Gamut handles them with care: a warm palette, highlights that glow instead of cli...
Gamut
For decades, Kodak Vision3 2383 print film defined how cinema colour looked on screen. Analogica Lab's LUTs recreate that print character fo...
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Gamut developed Immersion together with Sam Newton, who makes travel films. The grades lean toward deep, cinematic colour while protecting c...
Gamut
Five grades, five distinct moods. Kinetic from Gamut favours deep blues, saturated reds and warm, credible skin, and its shadows carry weigh...
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What problem does it solve? S-Log3 footage records huge dynamic range but looks grey and flat straight out of camera. Jacob Nordin's six LUT...
Jacob Nordin