by JerryPHD
JerryPHD designed Color Pack 3 for footage recorded in low-contrast picture profiles.
These looks are engineered to rebuild punch and colour from a washed-out image, so they perform best on the flattest clips you have.
Rich colour, balanced contrast and complexions that still look like real people.
Premiere, SpeedGrade, Final Cut through a LUT utility plugin, and any other program that reads cube files.
Flat, grey and lifeless: that's what DJI's log profile looks like before grading. Four dedicated looks Film Tones targets that one profile a...
Plenty of Sony owners film in the Cine2 or Cine4 picture profiles on older mirrorless bodies. Christian Mate created three grades that turn...
Christian Mate
Presetpower made this collection for fashion work that needs to grab attention. The look Saturated colour, bold contrast and a glossy, magaz...
Presetpower
Shot on digital but craving the density of a print? Preset Curator's pack follows the colour science of real motion-picture stock. Film refe...
Preset Curator
Sony log clips look flat, and the manufacturer's conversion often tints them green or pink. Gamut's technical LUTs correct this at the first...
Gamut
Log recording keeps every bit of information but none of the colour you want to show. Gamut's Canon pack handles the tedious first step, map...
Gamut
Cinematographer Phil Holland designed PhilmColor around RED's IPP2 pipeline, and it's meant to be assembled, not just applied. The looks Gra...
PhilmColor
Sometimes a grade just needs a final polish, and Boost exists for that job. What it does Raises vibrance only where colour is lacking, leavi...
Gamut