CinePrint16 V1 by Tom Bolles – Film Print PowerGrade for Resolve
Tom Bolles built CinePrint16 for colourists who want digital images to behave like a projected print. The node tree passes footage through a...
Tom Bolles
Flat, grey and lifeless: that's what DJI's log profile looks like before grading.
Film Tones targets that one profile and nothing else, giving aerial clips punch, colour and analogue character with a single drag.
Travel videos, real estate and tourism aerials, and cinematic B-roll.
Usable in all the usual desktop editors plus LumaFusion on mobile.
Tom Bolles built CinePrint16 for colourists who want digital images to behave like a projected print. The node tree passes footage through a...
Tom BollesFor a few minutes after the sun goes down, cities look their best: the sky turns ink-blue while windows, shop signs and lamps switch on. YCI...
YCImagingThis bundle pairs two of Neptuns' popular edit packs with six of his private, previously unreleased presets. Not colour presets These are mo...
NeptunsAcidBite's Elegant pack contains eighteen cinematic looks, each offered in a soft and a hard version. Why it's so big Camera coverage. Every...
AcidBiteMango Street grade their own videos with these six LUTs, each named after a place. VeniceBright whites and rich blues.ChinatownCrushed black...
Mango StreetColor Finale's first cinematic pack mixes two different tools. Mood grades Creative LUTs that quickly establish an atmosphere, from honeyed...
Color FinaleChristopher Nolan's 2023 film swings between dense, high-contrast imagery and calmer, more balanced moments. This pack captures both sides....
Tropic ColourFor decades, Kodak Vision3 2383 print film defined how cinema colour looked on screen. Analogica Lab's LUTs recreate that print character fo...
Analogica Lab