by Cinecolor
Cinecolor designed this tiny pack to make viewers uncomfortable.
Shadows grow deeper, midtones sharpen and colour bends away from anything natural, creating a lingering sense of unease that suits scary stories.
Three looks provided as .cube for footage and .xmp for stills, so they work in Premiere, Final Cut and Resolve as well as Lightroom and Photoshop.
Apply at full strength for maximum dread, or dial back for a subtle, uneasy undertone.
Hitchcock's famous 1960 thriller gave Cinecolor the idea for Psycho. The look All colour is removed and contrast is pushed hard. Blacks are...
Cinecolor
The biggest films are often shot on 65mm and IMAX stock. Cinecolor's Large Format pack draws on that look. What it simulates Analog processi...
Cinecolor
Cinecolor's 1990s set is the most understated of its decade packs. The look Shadows are lifted, colour is a little washed back and transitio...
Cinecolor
If Cinecolor's 70s pack is warm and mellow, the 80s pack is turned up to eleven. The look Punchy saturation, deep shadows and colour that dr...
Cinecolor
Cinema from the 1970s has an unmistakable warmth, and Cinecolor tried to bottle it. Character Contrast that behaves like film, honeyed middl...
Cinecolor
Three-strip Technicolor is the reason classic Hollywood looks so lush. Cinecolor recreated its analog logic. How it works The image is separ...
Cinecolor
Cinecolor's Twilight collection is dedicated to the edges of the day: the golden hour, the blue hour and that last glimmer after sunset. Wha...
Cinecolor
Ether is Gamut's most dreamlike palette. Bright areas turn a glowing, almost misty cyan, the middle range cools toward blue, and the darkest...
Gamut