by Cinecolor
Three-strip Technicolor is the reason classic Hollywood looks so lush. Cinecolor recreated its analog logic.
The image is separated into red, green and blue records, converted into cyan, magenta and yellow, then recombined. That chain produces bold saturation and distinctive shifts in tone.
The files open in Adobe's video and photo apps as well as Final Cut and Resolve.
Cinecolor's Twilight collection is dedicated to the edges of the day: the golden hour, the blue hour and that last glimmer after sunset. Wha...
Cinecolor
Cinecolor designed this tiny pack to make viewers uncomfortable. What it does Shadows grow deeper, midtones sharpen and colour bends away fr...
Cinecolor
If Cinecolor's 70s pack is warm and mellow, the 80s pack is turned up to eleven. The look Punchy saturation, deep shadows and colour that dr...
Cinecolor
Hitchcock's famous 1960 thriller gave Cinecolor the idea for Psycho. The look All colour is removed and contrast is pushed hard. Blacks are...
Cinecolor
Cinecolor's 1990s set is the most understated of its decade packs. The look Shadows are lifted, colour is a little washed back and transitio...
Cinecolor
Cinema from the 1970s has an unmistakable warmth, and Cinecolor tried to bottle it. Character Contrast that behaves like film, honeyed middl...
Cinecolor
The biggest films are often shot on 65mm and IMAX stock. Cinecolor's Large Format pack draws on that look. What it simulates Analog processi...
Cinecolor
Volume three of this series is all about warm browns. Two families of tone BrownRustic depth that flatters wood, leather and soil.CoffeeDark...