by Cinecolor
The biggest films are often shot on 65mm and IMAX stock. Cinecolor's Large Format pack draws on that look.
Analog processing that gives footage richer colour, smoother tonality and a sense of grand scale.
Each look varies its colour balance and contrast ratio, so you can choose a quiet refinement or a dramatic transformation.
Narrative and commercial projects that want to feel like they had a big budget.
Works in Premiere, Final Cut, Resolve, After Effects, Lightroom and Photoshop.
Cinecolor designed this tiny pack to make viewers uncomfortable. What it does Shadows grow deeper, midtones sharpen and colour bends away fr...
Cinecolor
Three-strip Technicolor is the reason classic Hollywood looks so lush. Cinecolor recreated its analog logic. How it works The image is separ...
Cinecolor
Cinema from the 1970s has an unmistakable warmth, and Cinecolor tried to bottle it. Character Contrast that behaves like film, honeyed middl...
Cinecolor
If Cinecolor's 70s pack is warm and mellow, the 80s pack is turned up to eleven. The look Punchy saturation, deep shadows and colour that dr...
Cinecolor
Cinecolor's Twilight collection is dedicated to the edges of the day: the golden hour, the blue hour and that last glimmer after sunset. Wha...
Cinecolor
Cinecolor's 1990s set is the most understated of its decade packs. The look Shadows are lifted, colour is a little washed back and transitio...
Cinecolor
Hitchcock's famous 1960 thriller gave Cinecolor the idea for Psycho. The look All colour is removed and contrast is pushed hard. Blacks are...
Cinecolor
Footage from Blackmagic's 4K and 6K Pocket bodies looks grey until it's properly transformed, so this Buttery kit begins with that step. The...
Buttery LUTs