Volume three of this series is all about warm browns.
Gentle contrast and subdued brights give images an intimate, faintly retro character.
Separate versions for stills and for footage, each for both log and standard Rec.709 input, with a setup guide.
Cafés and food, lifestyle, travel, portraits and documentary. Usable in CapCut, Filmora, Luminar and other cube-compatible apps.
For a few minutes after the sun goes down, cities look their best: the sky turns ink-blue while windows, shop signs and lamps switch on. YCI...
YCImaging
Cinepack is a big library of 553 looks chasing the feel of motion picture film. The grades Faces stay natural while brights and darks are sh...
Cinepack
An Italian colourist at Analogica Lab built this node tree to make DaVinci Resolve Studio footage behave like 16mm Fuji cinema film. What yo...
Analogica Lab
Sometimes a grade just needs a final polish, and Boost exists for that job. What it does Raises vibrance only where colour is lacking, leavi...
Gamut
A famous neon-noir science-fiction franchise inspired this trio of grades. Three moods Cold : steely blues of rainy, neon-soaked streets aft...
Hollywood LUTs
Triune Films traced each of these twenty-nine grades back to the colour of a particular film. The range is wide: the saturated warmth of a m...
Triune Digital
Eric Floberg named the five looks after Chicago neighbourhoods, and they share one rule: cinematic colour that never fights the scene. Avond...
Gamut
Immersion 2.0 is the follow-up Gamut created with filmmaker Sam Newton. It brings refined colour science and tighter control of highlights a...
Gamut